Title: Just Me in the House By Myself
Director: Jack Dishel
Length: 5 min 11 sec
Just Me in the House By Myself is the first in a series of short films under the umbrella DRYVRS. Each episode will feature actor/director Jack Dishel being picked up by a different UBER style driver. In this episode Dishel finds himself in a car with a monstrous caricature of Macauley Culkin playing a grown up version of Kevin McCallister from Home Alone.
The fast cuts and Culkin’s leering, unnerving smile and scattershot speech make for an extremely odd experience. There is a hint of jet black humour under the veneer of child abuse and loneliness which does just enough to keep things engaging.
Culkin is clearly a troubled and strange soul, his most recent venture before this was a band called The Pizza Underground,who do Velvet Underground covers but about pizza, so it is actually quite nice to see him poking fun at his most famous role rather than hiding from it.
Coming on the 25th anniversary of Home Alone there can be no more bizarre way to honour that classic film than watching Just Me in the House By Myself.
Title: The Big Swallow
Director: James Williamson
Length: 1 min 07 sec
I was introduced to The Big Swallow after it featured briefly in Steven Soderbergh’s excellent hospital period drama The Knick. In the episode two characters watch the film through a looking glass and express amazement at the man in the film as he seemingly eats the camera.
The Big Swallow is a seminal piece of work as ‘one of the first to deliberately exploit the contrast between the eye of the camera and of the audience watching the final film‘ according to BFI online.
Looking back now, the lines between fun and horror were incredibly blurred in Victorian times as these photo’s testify. The Big Swallow was supposed to be a comedy short upon it’s release in 1901 but it’s unnerving jerky camera and unusual subject matter make it feel more surreal in the present day, Lynchian even.
To give some context as to how different the world was back in 1901, The Big Swallow‘s main actor Sam Dalton also appeared in a short film entitled Sambo where he employed ‘black face’.
Taking on the unenviable task of making 80s cop movies seem more ridiculous than they already are…
Kung Fury is a homage/parody not just to buddy cop movies but to 80’s movies in general. Think Running Man, Lethal Weapon, Escape from LA, stuff like that.
The problem with parodying such a ludicrous era is that so much of it already feels like a parody of itself. Kung Fury really ramps things up though to the point that a lot of the visual jokes are so out there it is actually shockingly funny. Cult classic and blaxploitation parody Black Dynamite overcame a similar problem the same way.
A feature length film based around this concept would have been too much but thirty minutes is perfect for director/actor David Sandberg to see his project realized in spectacular fashion via a budget raised almost entirely from crowd fund project Kickstarter.
Sandberg is hilarious as well as being really really good looking and I would be interested to see him take on something else actually, such is the quality and imagination behind Kung Fury.
Any film with Adolf Hitler portrayed as a Nazi ninja called Kung Führer is worth looking into as far as I am concerned.
Madness… in every direction.
Rejected was nominated for best animated short film at the Oscars back in 2000 and it really is a minor work of genius. Equal parts surreal, harrowing and hilarious, Rejected is a series of short cartoons by Don Hertzfeldt that were rejected by various organizations (for obvious reasons). The first five minutes give you a taster of Hertzfeldt’s style but it is the closing five minutes that are really imaginative and set this apart from all the other surreal animated shorts out there. Well worth ten minutes of your time.
A mentally disturbed man is taken for a walk by a dog who claims to be his lawyer. It’s the classic story. Man meets dog. Dog walks man. Dog Becomes Lawyer.
Bafta winning short film from Brass Eye creator and all round comedy genius Chris Morris. My Wrongs is warped, madcap, darkly funny and actually quietly tragic. The unsettling music sounds like an Aphex Twin nightmare and Paddy Considine is marvellous as ‘Him’. There hasn’t been enough withering put downs delivered by dogs in recent years so My Wrongs is a welcome breath of fresh air. Capped off by a Richard Hawley song over the credits.